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A French-Inspired Garden and Home by Judith Stringham
Showing posts with label postcard. Show all posts
Showing posts with label postcard. Show all posts

Burlap Canvas Paris Postcard

Saturday, September 21, 2013

Is any vignette complete in my house without a touch of 
France 

and/or 
ribbons?


After arranging the grapevine basket 
with a light green pumpkin and 
multicolored hydrangeas, 
I found the perfect ribbon hiding in my house to add to it. 


Iridescent purple with a green sheen and wired edges... 


Not only was the ribbon added, but I also added a new burlap covered canvas displaying 
a vintage 1925 Paris postcard.


Domain XCIV, a home decor store in Ft. Worth, Texas, advertises that 
"every piece in our store is chosen with the utmost consideration, and bought only if 
it appeals to our hearts and souls." 

For me, their pieces speak to my heart and soul, also. 
This summer Domain XCIV had old French postcards displayed 
on linen in beautiful frames. 
From their inspiration, I created a burlap-wrapped 
canvas frame to display 
an old postcard I bought in Paris, France. 


Here is how you can make something similar. 
First, use Mod Podge to attach a piece of cream-colored burlap 
to a 6"x8" canvas stretched over a wood frame.
After the glue dries, paint the burlap, including the edges 
wrapped around the sides of the canvas frame, 
with Valspar Honeymilk paint.



To create a border for the postcard, 
cut embossed white heavy card stock so there 
will be a graduated set of two borders framing the postcard. 
The outer border is the white-painted burlap, 
and the inner border is the embossed card stock, 
both of which add textural interest 
around the old Paris postcard.  


Wait until all the parts of the composition are finished 
before attaching the postcard.

To soften the angular edges of the composition, cut 
the corners of the card stock with a rounded-corner paper cutter. 
Set aside the embossed mat to attach later. 

Then, Mod Podge glue a narrow 1/4" gold-toned ribbon to the 
sides of the canvas frame to cover the edges of the burlap. 


Next, attach a push-in metal picture hanger 
to the back of the canvas frame.  

Instead of permanently gluing the embossed card stock 
and the 1925-vintage postcard to the canvas, 
use a decorative bulletin board push pin to 
attach them to the canvas. 


Do this for three reasons. 

The presentation is three-dimensional with loose edges. 

Changing what is displayed on the burlap-wrapped canvas will be easy. 

A small push-pin hole only minimally damages a vintage postcard. 


This postcard was sent from Paris on July 27, 1925. 
Even though it was written in pencil, 
the handwriting is distinctly French and has beautiful flourishes. 


The "S" resembles a musical clef symbol, 
and all the capital letters were written with flair. 
Such penmanship is no longer taught in the United States.  



The two green stamps are an oft-used symbol in France of a sower. 
Different-priced stamps with the sower image were issued in 
different colors. 



The simple frame focuses our attention on the postcard, not the frame, 
and the rustic burlap complements the grapevine basket.  


Ahhh... the vignette now more completely 
speaks to my heart and soul.
~~~~~~~~~~
Sources
Vintage Postcard - Paris flea market 
Fleur-de-lis push pin - Ballard Designs
Canvas wrapped frame - Hobby Lobby
Burlap - Hobby Lobby
Valspar Honeymilk paint - Lowes
Ribbon - Michaels 
Embossed card stock - Michaels, a few years ago 
~~~~~~~~~~
Please join me at these inspiring sites...
MONDAY

TUESDAY
~~~~~~~~~~~~~

French Hydrangeas

Friday, August 30, 2013

French Hydrangeas 
What makes a hydrangea a French hydrangea?
Nothing.

Hydrangea macrophylla plants are native to Japan,
and when the plants were introduced to the Americas and Europe
in 1789, they became commonly known as French hydrangeas.

Do you suppose there is a connection to the
French Revolution occurring in 1789?

Hydrangeas were a widely-used garden plant 
until the 1900s when their popularity waned. 
Why, I don't know.  
I love hydrangeas! 

My heart is happy that they are popular once again. 

These gigantic blooms were in the local grocery store this week. 
Four came home with me, and
I have adopted them as part of the family. 
I am trying to dry them and hope they retain their colors. 

Obviously, these were grown someplace beside Texas 
since these blooms look decidedly like Fall, 
and it was over 100° here today. 
And predicted highs are 104°, 102°, 102°... 
Definitely not Fall in Texas, yet. 
Not even close... 
Won't be Fall for another two months... 

 As these dry, the veins in the petals become more pronounced. 
Just breathtaking! 

Recently, I discovered a whole collection of hydrangea-designed 
home decor items. 

Be still my heart! 

Art imitates life. 

Surrounding my old butter churn filled with the 
real drying hydrangea blooms are the hydrangea-designed 
paper plates, bridge card set, scented candle with keepsake box, 
matches, soap dish, large wooden tray, and kitchen cotton towel. 


SIGH...
Now I can enjoy looking at hydrangeas all the time. 
Even in the dead of winter... 

The decorated pieces mimic the beauty of the real thing. 

The kitchen towel has multiple colors of hydrangeas. 
The colors in the real hydrangeas vary from bloom to bloom, 
and even within the individual petals on each bloom 
the colors vary.  

Blues, lavenders, mauves, yellows, pinks, greens,... 
From soft pastels to dark jewel tones... 

The old butter churn was a find in a yard sale along a country highway 
in rural Tennessee forty-one years ago. 

We weren't looking for a yard sale as we traveled from north Alabama 
to Washington, D.C. 
No, the yard sale found us. 
But, my car has always known how to stop unexpectedly, 
brake for yard sales, turn around for flea markets...  
years before junking attracted mainstream America 
to the 127 Corridor Sale. 

Old French postcards from a Paris flea market 
(yes, the metro braked for flea markets in Paris) 
are right at home with the script-decorated 
French hydrangea items. 

Photos taken from different angles cause the colors to look differently. 

It is amazing how the entire photo has a different color cast 
based on the angle of the shot and the direction of the light source.  
From any angle, I love the hydrangeas. 

The watering can with the hydrangeas rings true.  
Hydrangeas require lots of water. 

Fingers crossed the real hydrangeas 
will retain their color and shape as they dry. 

Regardless, the beauty of the hydrangea-decorated 
items will last for years to come. 
Each time I look at them I will remember 
the real French hydrangeas that filled 
our house with their beauty. 
And, I will remember the joy of finding 
the old churn, used as a hydrangea vase,  
along a rural road in Tennessee 
during a happy road-trip. 
~~~~~~~~~~
Full disclosure---
Botanic Bleu will sell hydrangea-decorated 
items in a Country French Christmas event 
beginning Nov. 30, 2013, in Mansfield, Tx.  
No compensation was provided 
by the manufacturer for this post or 
at any other time.
~~~~~~~~~~~~
My blogiversary Give-Away is 
going on through Sept. 2, 2013. 
If you would like to win a ceramic message board, 
see how to enter at the link below.
Blogiversary Give-Away
Some lucky reader is going to win
the fleur-de-lis decorated board
just in time to write fall messages.
~~~~~~~~~~

Vignette Design Series #1~Composition

Thursday, June 20, 2013

Have you ever wondered 
how stylists create their beautiful 
vignettes?

How do they choose...
Which objects to include?
Where to place them?
Quantity to use?

I've always enjoyed arranging
 and re-arranging 
little groupings of objects. 
Since I began blogging, I have been
studying others' vignettes to 
find ways to improve my own.

 Nope, I am not a licensed interior decorator or
a degreed architect interior designer.
 In another life I may have been.
These thoughts are just things I've
 noticed about vignettes that please my eyes.

Here's where I find (peruse for hours) arrangements that help me.
Source: Pottery Barn Online Catalog and Printed Catalog
Of course, main sources for inspiration are
blogs written by talented and creative decorators...
Take a look at some of their vignettes...

and many, many more...

So, let me share some of 
the things I've learned

Element #1 
Composition
"the way in which a whole or mixture is made up"
in a
In this series, composition refers to how a vignette
is physically composed or made.

Composition is the real bones of a vignette;
 without good composition, the most beautiful
 objects are not ready for their close-ups, Mr. DeMille.

Several bloggers recently wrote articles that 
give great tips on composition,
 especially about the 
Number 
of items to group together.
Odd numbers of items seem to be more pleasing 
to the eyes than even numbers of items.

Visually, the vignette at my pine chest has 
a total of nine items 
(floral print, topiary, two birds, three cards, paperweight, lamp stack.)
 The lamp on the stack of books works as one unit.

Two birds with the preserved boxwood create 
a group of three.

There are three cards.

Seven items are in the cluster of smaller objects
 that are viewed together. 
 The lamp and print are so different that this small
 visual group is a vignette within a vignette.

Now, look back at the Pottery Barn image.
I'll wait.

There are three lanterns, 
 five items at the table group
 (3 lanterns, table, flower under the table,)
seven major objects in the photo
 (five at the table group and
two vertical posts.)

Composition involves more than numbers...
Movement
 of the eyes is also a big component 
of composition.

The whole scene should lead the eyes
 up and back around in a circular fashion.
 This is also one of the basic concepts in 
 printed page layout.
 The eyes should not be led off
 into nothingness, leaving the page, or, 
in our case, leaving the vignette. 

In this vignette, the preserved boxwood leads the eyes up
 to the print, then the lamp draws the eyes down, 
then down to the medium height card, 
which leads down to shortest card of the three, 
then down to the paperweight, 
which leads back up to the short bird, 
then to the taller bird,
 back up to the boxwood.

The eyes never wander outside the vignette;
 they are always pulled back to another feature.

Revisit the Pottery Barn grouping.
Here it is again so you don't have to look for it.
Source:  Pottery Barn Online Catalog
The three lanterns lead
 the eyes upward to the sky, but 
the right-side vertical post draws 
the eyes back down, and
 the curled rope leads the eyes 
down to the potted plant that leads 
the eyes back up to the lowest lantern.
No one is led off looking into the wild blue yonder.

Focal point
is another part of composition.
Those who have studied art 
are very familiar with creating a 
focal point in a painting or lettering 
so that a realistic perspective is created.
Focal points in paintings are often 
known as vanishing points, 
the spot where all the lines of sight 
converge.

The focal point in my vignette is 
the old French watercolor postcard.
This focal point is created by the placement of
 the objects on either side of the postcard.
The lamp/book stack and the birds are 
positioned closer to the front edge of the 
pine chest with the postcard
 placed farther back.
 The lines of sight on either side of the card 
converge on the postcard.

Seen from above, I realize I really should 
move the shorter bird a little closer to the 
front edge of the pine chest for 
a more pleasing line of sight 
to the watercolor postcard.

Oh, yes,... we will look at the Pottery Barn image 
to see its focal point 
and to see how the stylist achieved it.
Source:  Pottery Barn Online Catalog
Do you think you see the focal point?
Where do your eyes focus first?

My eyes say the focal point is the 
smallest lantern sitting atop the table.

Why?
The lantern is sitting at the corner of the table 
with the corner at the center of the camera lens.
The lines of sight to the lantern follow the edges of the table 
towards the front of the table. 
This is reinforced visually with the 
table leg pointing up to the lantern.

Horizontally, the large lantern is 
behind the smallest lantern and
 the medium lantern is slightly back 
of the smallest lantern.

Source:  Pottery Barn Online Catalog
 More subtle, not perfectly aligned 
lines of sight, is the rope draping 
down to the table from the posts. 
The rope appears to reach its 
lowest point directly 
behind the smallest lantern 
leading the eyes to the  
base of the smallest lantern.

Yes, those Pottery Barn stylists are
real pros!

Movement and focal point are achieved 
by layering objects.
Movement is created by vertical variations.
Focal point can be created by horizontal variations.
Height and depth are two important keys to 
stunning vignettes. 

In summary, 
Composition: Number, Movement, Focal Point
Photo Source: Pottery Barn Online Catalog
What do you think?

Try analyzing a vignette 
that you just LOVE.
See if it has any of these
components and let me know
 what you discover.

Stay tuned...

This is the first in a 
Vignette Design Series.
I hope you will be back for 
articles that will review the 
roles of Theme,
Texture, and Color 
in creating 
vignettes to love.
~~~~~~~~~~~~~~~~~~~~ 
Please join me at these inspiring sites...
MONDAY

TUESDAY
~~~~~~~~~~~~~